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04000	
     

00100	.FILL
00200	attributable to a low percentage of simple tonic (or even dominant)
00300	functions within rapidly changing temporary tonic areas.
00400	.FILL INDENT 6
00500	
00600		Despite the complications, our analysis will show the
00700	simplicity of the largest harmonic design in this variation.  All the
00800	alternating progressions, substitute functions, and what have you,
00900	serve only as very special elaboration of the various temporary tonics,
01000	which in turn contribute to the definition of the control tonics
01100	↓_I_↓ ↓_V_↓ ↓_I_↓ ↓_iv_↓ ↓_I_↓.
01200	.BEGIN VERBATIM
01300	
01400	Figure 77e.  The complete variation.
01500	.END
01600	.CENTER
01700	%6⊂⊗⊃L[α%0.03,α%-5.85]:N77FE.PLT[HHA,LCS]⊂⊗⊃%1
01800	
01900	.NEXT PAGE
02000	.FILL INDENT 6
02100		In this chapter many new elements have been added to the
02200	analytical diagram.  One must always be on guard against overloading
02300	the analysis with non-essential detail.  When new, and possibly
02400	confusing indications are added to the basic diagram, great care
02500	should be taken that the music under consideration really warrants
02600	their use.  Especially for the performer, the potential danger of
02700	too much attention to detail in analysis is probably greater than
02800	the danger of over-simplification.
02900	.CENTER		        
03000	_______________
03100	.FILL
03200	.adjust
03300	.begin verbatim
03400	
03500	Exercises for Chapter VI
03600	.END
03700	.FILL INDENT 6
03800		Analyze the following works.  Although a great deal of
03900	chromaticism is involved in these excerpts, not all of them
04000	contain alternating progressions.
04100	.BEGIN VERBATIM
04200	
04300	.end
04400	.ONCE NO FILL INDENT 0 
04500		1.  Chopin, Mazurka #1, in f%4S%1, Op.6, #1, first 16 bars.
04600	.BEGIN VERBATIM
04700	
04800		2.  Chopin, Mazurka  #6, in a,  Op.7,  #2, first 32 bars.
04900	
05000		3.  Chopin, Mazurka #11, in e,  Op.17, #2, first 24 bars.
05100	
05200		4.  Chopin, Mazurka #49, in f,  Op.68, #4, all.
05300	
05400		5.  Chopin, Prelude in e,  Op.28, #4, all.
05500	
05600	.end
05700	.ONCE NO FILL INDENT 0 
05800		6.  Chopin, Prelude in f%4S%1, Op.28, #8, all.
05900	.begin verbatim
06000	
06100		7.  Chopin, Prelude in f,  Op.28, #18, all.
06200	.END